sanguinearts

Sculpture

installation, site specific, found objects

Assemblages, 2024

mixed media in domestic box shelves

The Technomad, 2020 - ongoing

A work in progress - is it ceremonial costume? Is it armour? Detritus from a dying world, repurposed technology and designer packaging, handmade knitware, radiotherapy mask and pill packets.


TM25
TM26
TM16
TM19
TM14
TM17
TM13
TM18
TM15
TM20
TM8
TM7
TM1
TM9
TM3
TM4
TM2
TM5
TM6
TM10
TM12
TM21
TM23
TM22
TM24
TM11

Musings of the TechNomad, 2022

grey sections torn from art magazines taped to the wall and in a frying pan on a record turntable with the Staff of the TechNomad, a stick wound with plaited electrical cables. 

Musings of the Technomad, 2022  grey sections torn from art magazines taped to the wall and in a frying pan on a record turntable with the staff of the technomad, a stick wound with plaited electrical cables. 

Hidden Treasure, 2022

Cover of benjamin_sanguine album 'Hidden Treasure': Assemblage of found objects including driftwood, shells, boxes, old coins, antique watch, jewellery, all on a record turntable.

Seascape, 2018

Seaglass in glass coffee jar

Seascape, 2018 Sea- eroded glass in glass coffee jar

Earlier works


Guidance, 2000

With the assistance of artist Duncan Ward (www.theoldjoys.com) a set of crowd management barriers were photographed in various London locations. They controlled and directed the public for no reason at all. Some people were completely unawre, some were cautious, and other people responded to them in curious ways. The barriers became a 'frame' to the unconscious actions within. 

I had tried to borrow barriers from banks and post offices but no one would lend them. I ended up buying them at cost from the manufacturer Tensator. They were extremely heavy and at every point of public transport we were challenged thinking we had stolen them - thankfully I was carrying the purchase paperwork. And our arms ached so much by the end. 

They remained in my posession for some months, around the house, until we moved and then I put them on Ebay. They sold to a man from the midlands who ran a golf centre. 

Tensator barrier intervention, Embankment (ii), 2000
Tensator barrier intervention, Embankment (ii), 2000
Tensator barrier intervention, Embankment (iv), 2000
my favourite image in the collection
Tensator barrier intervention, Embankment (vii), 2000
Tensator barrier intervention, Embankment (vii), 2000
Tensator barrier intervention (viii), Soho, 2000
Tensator barrier intervention (viii), Soho, 2000
Tensator barrier intervention (x), Soho, 2000
Tensator barrier intervention (x), Soho, 2000
Tensator barrier intervention, Embankment (xiii), 2000
Tensator barrier intervention, Embankment (xiii), 2000
Tensator barrier intervention (xvi), City of London, 2000
Tensator barrier intervention (xvi), City of London, 2000
Tensator barrier intervention (xvii), Embankment, 2000
The guy on the right on the phone was some kind of indie movie director and he was trying to film a scene where a guy rode a bike along the Embankment and then carried it up the steps to Hungerford Bridge, but lots of people were getting the way. Along came two artists carrying barriers who gladly held the crowd back. I think he might have given me a tenner or something. When I looked back at the photos years later the actor carrying the bike is Martin Freeman.
Tensator barrier intervention, (xx) Tottenham Court Road, 2000
Tensator barrier intervention, (xx) Tottenham Court Road, 2000
Tensator home intervention, Tottenham, 2000
handy for drying tea towels

Invisible Cities, 1997-2000

These groups of works respond to the megastructures of cities through consumer packaging, personal objects and capitalist detritus. Circuit City is built from redundant computer parts, LCD displays and CDs; Polystyrene City starts out as a pristine white structure of obelisks and industrial temples and gradually acquires tape highways and media images and slogans, before undergoing it's apocalypse of fire and erosion; City models, classical labyrinths and tombs, inviting doorways to an outside world, a semi-autobiogragpical Tale of Two Cities, and a Tower of Babel. 

Circuit City (view i), 1999
Circuit City (view i), 1999
Circuit City (view iv), 1999
Circuit City (view iv), 1999
Circuit City (view iii), 1999
Circuit City (view iii), 1999
Circuit City (view v), 1999
Circuit City (view v), 1999
Circuit City, view (vi), 1999
Circuit City, view (vi), 1999
Circuit City, view (vii), 1999
Circuit City, view (vii), 1999
Circuit City, view (viii), 1999
Circuit City, view (viii), 1999
Polystyrene City, pre-apocalypse, 1998
Polystyrene City, pre-apocalypse, 1998
Polystyrene City, apocalypse (i), 1998
Polystyrene City, apocalypse (i), 1998
Polystyrene City, apocalypse (ii), 1998
Polystyrene City, apocalypse (ii), 1998
Polystyrene City, apocalypse (iii), 1998
Polystyrene City, apocalypse (iii), 1998
Polystyrene City, apocalypse (vi), 1998
Polystyrene City, apocalypse (vi), 1998
Polystyrene City, apocalypse (vii), 1998
Polystyrene City, apocalypse (vii), 1998
Labyrinth city model, Alexandra Palace, 1999
Labyrinth city model, Alexandra Palace, 1999
City model, Wood Green, 1999
City model, Wood Green, 1999
City model, Winchmore Hill garden, 1999
City model, Winchmore Hill garden, 1999
City model (i), Alexandra Palace, 1999
City model (i), Alexandra Palace, 1999
City model (ii), Alexandra Palace, 1999
City model (ii), Alexandra Palace, 1999
City model (iii), Alexandra Palace, 1999
City model (iii), Alexandra Palace, 1999
Exploring a tomb (i), 1999
Exploring a tomb (i), 1999
Exploring a tomb (ii), 1999
Exploring a tomb (ii), 1999
A Tale of Two Cities, 1997
A Tale of Two Cities, 1997
Tower of Babel, 1997
Tower of Babel, 1997

Systems and Veneration, 1995-2000


Line and tube interventions; icons and tribal ornaments. 

Floor tape line piece (i), 1999
Floor tape line piece (i), 1999
Floor tape line piece with chair (ii), 1999
Floor tape line piece with chair (ii), 1999
Floor tape line piece with tube and shadows (iii), 1999
Floor tape line piece with tube and shadows (iii), 1999
Tube installation (i), 1998
Tube installation (i), 1998
Tube installation (ii), 1998
Tube installation (ii), 1998
Tube apocalypse, 1998
Tube apocalypse, 1998
Flower icon, 1998
Flower icon, 1998
Two icons, 1998
Two icons, 1998
Two totem icons, 1998
Two totem icons, 1998
Tribal mask, 1995
Tribal mask, 1995

Junk model

party creations

For childrens parties I have made creative play environments out of cardboard boxes and other waste materials. These have included trains, castles and space stations. They are fun, safe and totally destructable! And only limited by their imagination.

Available for commissions or ideas and advice:

please contact me


Brightling Castle, 2012
Cardboard, string, tape, stripy packaging saved for banners
Brightling Castle, 2012
with working drawbridge
Brightling Castle, 2012
detail of banners and arrow slits
Brightling Castle, 2012
Detail of arched windows and crenellations
Space Station, 2012
cardboard, tape, polystyrene packaging, Christmas Lights, bike lights, tinsel, silver wrapping paper, aluminium foil packaging, cardboard tubes, ducting tube from a skip!
Space Station, 2012
side view
Space Station, 2012
interior with silver floor, control panels and buttons, landing base communicator (old telephone)
Space Station, 2012
Interior view, visi screen and keyboard
Space Station, 2012
the 'EMERGENCY BUTTON - DO NOT PRESS' obviously got pressed constantly causing much screaming and running about, until it was eventually ripped of completely
Sir Sebastian's Castle, 2013
Cardboard boxes, cardboard tube, tape, marker pen, string
Sir Sebastian's Castle, 2013
I'm the king of the castle!